|
Since moving to Minneapolis, I have come to love our independent restaurants that use local ingredients. But last month as I was walking around Portland, Oregon for the first time and looking for something to eat to avoid the dreaded-but-forthcoming focus-group sandwich (do focus-group food caterers also supply food for the nation’s prison system?), some of the best smells I have ever experienced came wafting from a posse of food carts in a parking lot close to the hotel. With them came a lesson on having a brand “experience.” |
|
![]() |
I asked our cabbie and local foodie Tracy about the Food Carts (yes, cabbie and local foodie – he and his wife even have a website), and he mentioned that the carts are ingrained into Portland’s food culture. While some vendors cannot afford to run a stand-alone restaurant, many others also have traditional restaurants but use carts to reach out new people and offer new experiences. (Tracy also recommended doughnuts at Voodoo, which we wolfed down at 7 am in his cab on the way to the airport. Try the Bacon Maple Bar with a whole piece of cooked bacon on top -- as an ex-pat Canadian I am still very partial to Tim Horton’s, but I digress…) |
| In cities like New York, street food culture has become so ingrained in the food scene that they even hold annual food cart awards: the “Vendies.” As chef Mario Batali put it, the awards are “the Oscars of street food for the real New York.” I remember every summer in Toronto making lunch pilgrimages to Little India on Gerrard Street for the roasted Indian sweet corn sold off a cart.
Now that the Minneapolis City Council has recently relaxed some of the municipal food street codes we should hopefully see more food carts here. I was excited to read on the local food blog Heavy Table highlights about some local food-vending carts. I found most interesting, though, that like Portland, at least five of the carts mentioned -- Meritage, 128 Café, The Brothers Deli, Cruzn Café, and Sonny’s Ice Cream -- also have stand-alone restaurants to accompany their new meals on wheels. So what does this all have to do with an agency blog beyond an excuse to talk about my love for doughnuts and good cheap eats? First, here’s a shout out to these restaurateurs and others who are out there serving up great street food; let’s support them. But secondly, these chefs and cooks know something intuitively about marketing that many CPG clients don’t: how important it is to provide customers with new ways to experience your brand. As Christopher Stuzman a principal analyst at Forrester Research recently argued on the World Advertising Research Center Site (WARC), winning companies today have moved beyond the tried and true marketing techniques to create genuine product experiences: ‘‘While consumers are tuning out marketing messages, they are actually seeking out more product experiences.’’ While this might sound like heresy to read on an agency blog, I agree with his comment that marketers today are relying too much on communications to build their brands. Just recently an old brand I used to work on, Pop-Tarts, was all over the news for opening up a store in Times Square. I honestly can’t remember when one of our old Pop-Tarts :30 TV ads got any kind of coverage no matter how high our ASI/Millward Brown test scores might have been. But here it was mentioned from coast-to-coast in the New York Times, Los Angeles Times, CNN, CBS, Howard Stern (guilty pleasure) and many other media outlets. The Pop-Tarts store is now serving customized and unique food offerings (including Pop-Tarts sushi, which is not as scary as it sounds). They have joined M&M’s and Hershey’s in providing new ways to experience the brand. If you want to go back to the old research-testing methodologies, as wrong as they are, I would bet lunch (at any local food cart) that the day–after-recall among those visiting Pop-Tarts World is higher than that among viewers of any of their TV spots. The recall does not even measure how people talk about and see the brand as more fun, contemporary and creative. But beyond putting all of your money into pop-up stores and less in our own media department, Christopher back at Forrester argues winning brands today are also baking marketing into their product as well. From Method to Dyson’s new bladeless fans, they are building in product experiences at the design level. For more on this subject read Alex Bogusky and John Winser’s book called “Baked In’’ -- the premise is essentially that your product, not your marketing, is your most effective tool. Put another way the message is not the product, the product is the message. Never mind the obvious and cliché example of pointing out the product experience of Apple products; but have you ever opened a new Apple package? The packaging is designed as well as the product. I left my Apple TV inside the package for about an hour after I opened it, as I did not want to disturb it -- it was like cutting into a beautiful cake. |
|
![]() |
In regards to building or baking in a product experience, last week while in Toronto and shopping in a men’s store called Got Style, I was given a free Stella Artois beer-experience kit, which highlighted the special nine-step pouring ritual for having a great glass of Stella. (Yes, it is a lot more than just popping off the cap and quaffing.) Apparently Stella gave the kits to the store to give to their best customers – not me, but if you are friendly and nice sometimes you are rewarded. So guess what is chilling in my fridge? The brand with an experience -- in this case, a “pouring ritual.” As good as Stella’s TV ads are, they weren’t what won me over. (An aside: if you are ever in Toronto, pop into Got Style. It’s part men’s store and part spa/lounge with cool chairs for reading or watching sports. In other words, it’s an “experience.”) |
|
To all the local chefs out there on the streets trying to reach new consumers and bring the mountain to Mohammed, all the best. I hope your customer lines are around the block. I especially look forward to lining up at the Smack Shack at 4th St N and 1st Ave for a lobster roll sandwich. To everyone else who’s still using the old 1960’s CPG textbook, time to write a new chapter. -- Lance Saunders, EVP/Director of Account Planning, planner of good eats
|
|
The many local artists in the city of Minneapolis probably don’t think of themselves as great marketers -- art and commerce do tend to hold each other a bit at arm’s length, after all – but several exhibited some great brand positioning at recent Minneapolis art shows. They’re even behaving as if they might have an MBA tagged onto that MFA.
Dogs of Edina
I was invited to last week’s Dogs of Edina exhibition opening at the Galleria Mall, the latest and third exhibit by local artist Jessie Marianiello. (She calls the show a “celebration of dogs and the community they create.’’) The paintings are absolutely beautiful, and my wife and I were lucky enough to have Jessie paint our 8-year-old Portuguese Water Dog “Bello.”

Guests lined up to inquire about future dog sittings; they’ll now wait up to a year to see their final pooch painting. No too bad in a down economy.
Besides being a wonderfully gifted fine artist who started out painting portraits of people, Jessie is a very smart marketer. She has positioned herself quite uniquely in the art marketplace: rather than trying to be all things to all people, it is now what she does not paint (people) that makes what she paints (dogs) so desirable.
Art Crank
Perhaps you have heard of Art Crank which they describe as ‘’poster art for bike people’’ where for about $30.00 you can take home a very limited poster run of some cool bike art done by local artists. Charles Youkel, curator and founder, started it all in 2007 and has seen it grow every year, expanding to multiple cities across the nation -- packing in art-and-bike lovers, or bike-and-art lovers, not sure which.
You can catch the Minneapolis Art Crank if you hurry, at Lure Design in the Northrup King Building during this month’s Art-A-Whirl, May 14-16. Marketers: notice the customer lines around the block.
Art-A-Whirl
That brings us to our very own Art-A-Whirl, where local artists open up their studio spaces to let us peek underneath the proverbial curtain or, in this case, “canvas.” We have all been reading endlessly about brand engagement and the death of passive one-way communication. Art-A-Whirl offers an alternative to staring passively at a painting on a gallery wall by allowing potential customers to visit studio spaces/galleries and to engage in the artistic process. (The event isn’t even really all that “niche” as it is supposedly the largest open studio and gallery tour in the U.S.)
Targeting everyone is not good positioning
We have all sat in meetings discussing various primary and secondary targeting strategies and target audience -- Adults 25-54, moms and kids, moms and teens, or moms, dads, kids and teens, etc. -- but inevitably that can become “trying to be all things to all people” rather than being truly selective.
Good positioning, as they say, is as much about what you choose to leave out as it is what you put in. (Example: our work for Famous Footwear has a narrow target of women who are “value-shopping shoe lovers” versus everyone needing shoes for their feet.) But as marketers, we often want it all by not alienating anyone or by having multiple targeting strategies to talk to everyone in general and no one in particular.
Most segmentation studies don’t really segment at all, but put clever cutesy names on all of the segments that we want to talk to. I would argue that if you have nine segments, you have a universe not a segmentation study. That’s lazy and, more importantly, not profitable in the long run.
If these artists can prove they have found wide and profitable audiences for dog lovers, bike lovers, or people willing to engage with the artist/art/studio, who is to say we cannot do the same? I think if we marketers were asked to do art, we likely would run a focus group about what people like to stare at the most, paint it in a rainbow of colors because everyone has their favorite, and then coat it all in black velvet “just in case.”
Instead, let’s pick up a brush and paint a new targeting or brand strategy that leaves a lot of stuff out. Who knows? We could have people flocking to see the latest brand exhibit.
-- Lance Saunders, EVP, director of account planning
